(This is made all the more clear when Jay-Z used the beat for a mixtape freestyle: even the almighty Hova had to alter his own flow to fit the beat. Salih Williams gives Paul Wall a dope fucking instrumental that transcends coastal restrictions, but still maintains a distinctive Houston sound nonetheless.
This is the only single from The Peoples Champ that I was familiar with prior to writing this review, and, full disclosure here, I actually liked it back in the day.
